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Misfit: Hella Jongerius

05-11-2011 The only up-to-date monograph on the work of Dutch product designer Hella Jongerius. Written by three experts on product design; Louise Shouwenberg, Paola Antonelli and Alice Rawsthorn. Includes over ...

Ovale collection - Bouroullec brothers for Alessi

09-11-2010   "The Ovale collection strives to be original, but it also wants to be rustic and traditional. We set out in pursuit of delicate expression. This composition speaks about every day life, about ...

Knoll: Brian Lutz with a foreword by Reed Kroloff

09-11-2010 The history of Knoll is the history of modern design. Founded in 1938 by Hans Knoll and joined by his wife, Florence Knoll, the company is credited for bringing European modern design to America, then...

Marcel Wanders: behind the ceiling

08-29-2010 The comprehensive monograph on one of the most celebrated bodies of design in recent decades.  Inspired and distilled from Brazil’s street and carnival cultures, Humberto and Fernando Campana hav...

Aquariva by Marc Newson

06-01-2010 Australian designer Marc Newson has designed a speed boat in collaboration with Officina Italiana Design for Italian boat brand Riva.  Called Aquariva by Marc Newson, the design is a reinterpretati...

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Louise Schouwenberg
Misfit: Hella Jongerius - Read on Amazon >

article thumbnailThe only up-to-date monograph on the work of Dutch product designer Hella Jongerius. Written by three experts on product design; Louise Shouwenberg, Paola Antonelli and Alice Rawsthorn. Includes over...

Brian Lutz
Knoll: Brian Lutz with a foreword by Reed Kroloff - Read on Amazon >

article thumbnailThe history of Knoll is the history of modern design. Founded in 1938 by Hans Knoll and joined by his wife, Florence Knoll, the company is credited for bringing European modern design to America,...

Tokyo Design Week 2007
Again this year, the week that was...

Tokyo Design Week 2007
Again this year, the week that was TDW'07 could hardly be topped as far as design happenings in Tokyo, and despite the countless shows, events, and yes, parties, I live to tell the tale. If anything, everything seemed to be even better organized this year, although let us keep mum on what transpires the minute before the doors open (and let us be thankful that everything usually ends up coming together brilliantly in the end).

Container Exhibition
There are some who may wonder why there isn't one global directory to all of the design-related events, and that is certainly something that should be looked into for future editions. Most of the official sites are also sadly lacking in details (especially on the English side), and so you really have to be on top of all the guides and flyers if you want to claim to have seen a good portion of what is on show.

DesignTide
DesignTide proved again to be the crowd-pleaser, with more emphasis on presentation and artistic sensibility (compared to the more commercial 100% Design Tokyo). The opening party was a blast, and it certainly was great to see a good portion of the city's design/creative community converge on one spot.

100% Design Tokyo
Yes, it does indeed have a strong focus on the business side of the industry, but 100% Design Tokyo remains the exhibition to see in terms of products, and for that I wasn't disappointed. Some better management, including a dedicated darkened hall for lighting companies, did make for a better overall feel, and it was satisfying to check in again with a few designers/companies, getting an update on what they've been up to, and what's coming in the near future.

Japan Brand
The rest of the Tokyo Designer's Week grounds (of which 100% Design Tokyo was a part of) offered quite a few varied areas to take in, including the "Japan Brand" hall (branding traditional Japanese makers in a slick way to help sell the country's craftsmanship to a modern audience), the "Blickfang" tent, which involved mostly fashion, but with a fair amount of European design on display, and then of course the container and student exhibitions, that seemed to blend into each other this year (many of the containers were collaborations between design schools and companies).

UNG 06/07
Swedish Style took a bit of a back seat this year, with fewer events but more collaborations (they had booths at both 100% Design Tokyo and DesignTide). A highlight was the "UNG 06/07" young designers exhibition, held at the Marunouchi Building near Tokyo Station, where quite a few interesting concepts and prototypes made it worth the trip (the rest of the design events mostly took place in Harajuku/Aoyama).

What could be improved for next year? A better web presence, more downloadable guides and maps, and more of a united front could certainly elevate things. But then again, as with the past few years, it's hard to criticize too much when there was so much interesting things to see, experience, and be a part of. I'm already excited for next year! JS


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